
photo by Rhymefest
Rhymefest is dope. He’s a dope MC and performer. I saw him open for A Tribe Called Quest at HOB in Orlando a few years back. He rocked the crowd like he wasn’t supposed to. We were all there to see Tribe and Rhyme stole the show.
Quick background on Fest:
he wrote Jesus Walks for Kanye (Grammy Winner), dropped a slept on album called Blue Collar in 2006 on Mark Ronson’s Allido Records (single was Brand New) and has been a major force and voice in hip-hop for longer that you would believe.
Now he’s back and doing things on the Internet the way we like to see it. He just released a pay-what-you-want mixtape, Dangerous: 5-18 in honor of the release date of his next album, el che (actually dropping June 8th).
To release the mixtape he didn’t go the all too easy but honestly stupid route of putting the .zip file on a sharing site like every other hip-hop artist does. Nope, Fest threw it up on Bandcamp, got himself a custom subdomain and hosted the tracks on his site. Fans can choose to cop the album for free, but they need to enter their email address and confirm it to download the 17 original tracks. Check the screenshot below:

Fest is building his list, segmenting it by location and purchase price and getting you free and original music and Bandcamp is doing all the work. Nice work.
With Twitter he is connecting with fans, chatting with them about subjects most rappers and artists stay way, away from. The questions, the interactions and the RT’s only add to his popularity on the service. The other thing I love is that while he does push out some of his music, he gives more than he takes.
In the post on not using Twitter like Myspace, I mentioned a comment from Chris Brogan where you look at your last 10 Tweets and see who and what they were about. 7 of the last 10 Tweets from Fest are engaging his audience. Check the shot below:

Most artists use Facebook to either copy over what they are saying on Twitter or really, leave it dormant. Not Fest. Here he is using the platform to connect with a different audience that the one that connects with him on Twitter. he gets the medium and in return, he is building his audience on this platform as well (29,000+). Check the shot below where he has wall posts about a contest for high school kids and his listening parties:

Most artists plug themselves, or just post stale links to reviews or interviews that they did elsewhere. Fest uses his site to announce a Google Group for Independent Thinkers, hold debates, talk about show prep and more. Kudos for the effort man, blogging is tough work but it pays off. The only tips I could say would be in the WordPress structure, permalinks and SEO department.

Expanding His Reach To OPA
Using other sites expands the reach of this promotion. Today I caught wind of a guest post he wrote for DJ Booth. It was actually the 3rd part in a series. I speak about this all the time, but when you post on your site, you only get to reach your immediate audience and sometimes the trickle down effect from Google. Leveraging other people’s sites and audiences is huge, and here Rhymefest does it in an engaging way, that is way beyond just dropping another track.
In fact that is what he talks about in the article, Entitled DJ’s Are Creating Cheap Disposable Music.

Wrapping Up
Ultimately Rhymefest is working hard to expand his reach online and connect with his fans. He is building a database and creating tribes on multiple networks that are all distinct from each other. The engagement at each venue is different and tailored, while still being true to his brand. Even if he doesn’t notice it, he is building a business, one with window shoppers, fans and customers.
And these people are not going to sleep on “el che” when in drops this June.
What do you think of Rhymefest’s strategy? Let us know in the comments below.
-Greg