Social Media Marketing Etiquette With Tamar Weinberg

Tamar WeinbergLast week I got to catch up with one of my favorite voices in social media, Tamar Weinberg. I met Tamar at IZEA Fest in Orlando back in 2008. We ended up at lunch sitting together in a large group and ended up talking about blogging, Digg and how Twitter was blowing up. Tamar is a super cool chick that gets to work on some killer campaigns, writes an amazing blog called Techipedia and has written the definitive how-to book on social media, The New Community Rules.

Below is a really fun and laid back interview we did on social media rules for musicians. In the 18-minute iPod ready chat we look at the fine line between promoting and SPAM, how to start getting consistent with your content and how to pitch bloggers to promote your stuff. Digest, download and take notes folks. Tamar is ahead of the game and I’m glad we got to chalk it up for you.

Posts Mentioned In the Call

To thank Tamar for hanging out with us at Gen-Y Rock Stars, we are going to be giving out a copy of The New Community Rules. This book is filled with case studies of what to-do with social media. We eluded in the audio about the similarities between the way that companies and artists should be marketing themselves with social media and this book will get your mind spinning with ideas to help promo your music.

To win the copy all you need to do is tell us in the comments what your biggest roadblock to getting fully engaged with social media is? And if you are already engaged, just tell us about what you are doing with social media to help promote and market your music. The best comment wins the book. I’ll pick the winner on Friday April 2nd sometime around 5pm EST.

If you want to beat the crowd and grab the hard copy on your own, head on over to Amazon and scoop it up!

Thanks for listening.

-Greg

(oh and as with nearly every promotional link, you should assume those are affiliate links, which they are. They help feed the staff.)

A Free Digital Distribution Chat With WaTunes

Kevin Rivers from WaTunes

Since we first learned the news of a FREE digital distributor, we knew the game had changed again. WaTunes is the company that is going left (or crazy) and offering free digital distribution to all artists across a bevy of commerce. Now a few weeks into this system, we decided to have a chat with Kevin Rivers, the optimistic CEO of WaTunes. What is transcribed below is not a pitch fest, but the realization that the current model of music to fan consumption is broken and that social channels are becoming the transaction, or buying signal that drives bands today. I hope you enjoy!

GYRS: First, since the news of going free, how have you seen your company grow in terms of artists and labels? What are they saying, asking for?

Kevin: Ever since we’ve made the announcement of providing a free digital distribution service, we’ve experienced huge growth from artists and labels around the world. Each day we get instant questions about how this service is possible and if it is true. I tell them that it’s true and it’s good! The artist and labels are excited to be able to see their contents available on stores like iTunes without paying a fee. To know that they will also receive 100% of their royalties really makes an impact on the lifestyle of each artist and label.

GYRS: TechCrunch is a tough crowd, but I think you and your team handled it with class and had some great responses. One of the major questions was in the event of WaTunes shutting down and artists essentially being left out to dry. In the response, you made some great points on your exit strategy and the way you handle business with artists. How important is the relationship between a distributor and the artist/label?

Kevin: I believe the relationship between a distributor and the artist/label is extremely crucial. A distributor who has a lack of communication to its customers can create strong concerns and doubts from the artist on whether or not the choice they’ve made concerning their music was a sensible one. With WaTunes, we value our communication with our artist and label customers. Creating a personal, yet mutual relationship provides assurance to the artist and label that their music contents are in good hands. I see our customers as people and not a number for our company. With that in mind, we are able to hold Customer Service as one of our very top core values.

GYRS: There have been some exciting and disappointing innovations as far as the way music is sold, transferred, etc from band to fans. While legal download numbers are up, they aren’t exactly screaming for indie bands to hurry up and make a ton of money through iTunes, Amazon, etc. Some are even seeing more success giving away their music or portions of their music, in the hopes of winning them over and selling concert tickets, merch, exclusives, etc. What do you make of the current consumer market for music?

Kevin: I think that the current market is broken. The reason is because there really isn’t a true social interaction in which the artist can engage effectively with their fans. In a world where music is generalized and a crushing economy, it’s very difficult for an artist to drive fans to pick up a CD or buy their music. Fans these days are eager and hungry for social interaction with their favorite artist. To be able to communicate with them on a social level is far greater and is projected to produce greater results. To the artist providing an avenue where their music is made available to a wide array of potential fans and then contracting their fans to keep up to date on their music career will result in a stronger form of a social environment.

GYRS: Do you have any success stories of indie artists using iTunes, Amazon, etc that may be of encouragement or give ideas to artists who are weighing their options for digital distribution?

Kevin: Yes. We’ve have many success stories from our customers. A few examples of successful independent artists are Dice & K9, Drip, Kitty Katt, Chubb Rock, and Shizz Strothers. In weighing in options for digital distribution, it is solely depending on the approach of the artist. If an artist wants to save money and focus entirely on their marketing, I would strongly recommend using our services. However, there are artists out there that would rather pay for the service to help their distributor earn revenue and survive which is commendable in my opinion.

GYRS: How do you feel social media and fan interaction is going to play in the success of artists in the near future?

I believe that social media interaction will play a major role in the change of the industry. This is one of my personal insights that I’ve observed while conducting my research in this sector. This focus will be the central statement of WaTunes 3 which is to bridge the gap between the fan and artist through social interaction.

GYRS: Anything that you want to tell the Next Generation of Rock Stars?

Kevin: To any musician out there who wants to make a difference, I’d say “Continue to pursue your music career and find people that share the same passion of your music. Finally, establish connections with people who care about your music as you will find great success in your future endeavors”.

I’d like to thank Kevin for giving us a few minutes of his time and helping you guys get some solid advice on where digital distribution and fan communication is heading. If you have any questions about WaTunes, digital distribution or want to ask Keving a question, please address it in the comments and we will be sure to get those answered for you.

With that said, I really want to open the floor out to you guys, the future of the industry and see your thougts on the role that major digital distributors are going to play in your career. Does iTunes matter? Will it matter by the time you are ready for it to matter? Is free a better model? And where do relationships come into play? Please feel free to share your opinions with us.

Till next time Rock Stars…

-Greg Rollett

RockDex Review and Contest

*Contest update, Jimmy from Music Arsenal has just upped the ante and is throwing in a Free Year of their Pro Subscription. Read about what that entails here!! Thanks Jimmy!*

*Contest info at the end of the post!*

RockDex looks and feels really cool and sleek. It’s made by the MusicArsenal Team so you can understand that it’s a cool product with indie bands in mind. Essentially what RockDex does is shows you how good or bad your buzz is online. It does this by looking at play counts, comments, social networks, charts and other little online do-dads to come up with a ranking for your band.

Depending on how good, or bad, your band ranks it offers tips, articles and guides to boosting your rankings.

The idea is awesome, the rankings are a pretty good assessment and the sites they recommend for advice are pretty top notch and informative.  The lacking information is what they found out about you online and an easy way to access that data.

Let’s go over their break down:

Social Buzz – This is taken from Twitter and Blip.fm. If your fans are tweeting about you and sharing your songs on Twitter, you get a hot score. To find out if your fans are talking about you, use Twitter Search. To get your fans to talk about you on Twitter you need to call that action and make it easy for fans to Tweet about you. Find Tweet this song buttons online and integrate with Blip.fm or Twisten to boost your presence.

social-buzz

Social Media – In this portion they look at YouTube, Flickr on “other” social media sites. Without knowing their exact criteria, my suggestion would be to begin getting social. Start Digging your stories, comment on other blogs and start getting reviews from great music bloggers. Don’t forget to post your media on YouTube, Flickr and other video sharing sites. A great place to automate your videos is TubeMogul.

social-media

Fans – These gauge this stat from sites similar to iLike and Last.fm as well as Event site, Eventful. We all know that Myspace friends are inflated and hold no true value anymore, but fans on these services are much tougher to “game” and generally represent fans that really want your music. I love the concept and hope to see more musicians using these services to really increase their fan base.

fans

Listens – Plays are coming from Myspace, Last.fm and other sites that feature your music and have play counts. They go above and beyond on this ranking as they factor in week-by-week plays to gain consistency levels. Good work RockDex.

lsitens

Overall the serivce has some cool features and hopefully in future realms you will be able to download the data and learn from what you are currently doing and also perform searches for similar bands to go and mirror what they are doing, much like an internet marketing campaign.

*RockDex Contest*

Bands, post a link to your score in the comments and the highest score will win a 1 year free Rock Stars Pro membership,  a 1 year  Pro Membership to Music Arsenal and a Gen-Y Rock Stars T-Shirt from Audiolife! Contest will end on Friday, March 13th at 7pm EST.

-Greg Rollett