Why 2010 Will NOT Be Any Different For Your Music Career

photo by hiddedevries

2009 was supposed to be the year that everything changed. Digital downloads were supposed to rule and fan supported bands were to break out of the indie scene and take the world by storm. Instead do you know who ran 2009:

  • The Black Eyed Peas
  • Jay-Z
  • Michael Jackson

Yea, 3 major media players. Two who aren’t even on Twitter. And this is the stuff that I’m teaching, preaching and selling to musicians! Shit, I’m in trouble.

First, let me point out some really good year end music marketing articles that may make you happier than reading about my thoughts on the indie music industry going into 2010.

Musicians really do have an uphill battle in 2010. No matter what anyone tells you (myself included) it’s tough to do this big on your own. And I think the mentality of needing to do it big is still the number one factor that roadblocks success for most musicians. Take a look at your lifestyle as it stands today and take a look at the lifestyle you want to create for yourself. This lifestyle should be realistic. It should also make you happy. It should be sustainable and allow you to create something long term and build up your future savings.

To create that picture, do you need to sell a million records? A hundred thousand?

To create that picture do you maybe need to sell more than music? Maybe merch. Advertising. Affiliate products. Videos. Live shows.

When I created this site in August 2008, I did so with a free report, the 100 Social Media Resources for Musicians. I wrote this thing because after leaving the 2nd music conference in a row where musicians still relied on Myspace to do all the work for you and was generally their only marketing channel, I knew I had to say something.

Now with a few thousand downloads, I think we now have some smarter musicians. Smarter does not mean more established however. Smarter does not create action. Going into 2009 I was very optimistic that we would be able to create a whole slew of musicians living off 1,000 true fans or creating a niche and making a living. We were able to do that for some.

2010 will be no different. Here’s Why.

Laziness and Lack of Motivation.

One of my good friends is hands down one of the most talented MC’s I have ever seen and heard. He creates track after track of indie hip-hop beauty. I know because he sends them to me via Instant Message every few days. The problem here is that he expects people to just find his music. I even went as far as creating a new site for him, getting him hooked up with some contacts and established a content schedule.

Know how far this little project lasted? 3 posts. 1 week. And he had comments. He had over 100 hits a day. WTF?

Many musicians simply do not have the  motivation to market their own music or do it effectively. That is a hindrance in a world where marketing and stories travel much faster and farther than the music itself. Did anyone really talk about the music from NIN when they released Ghosts, or did they talk about the marketing and the story? 50 Cent just released a huge project, one he called his best yet. When I saw him on Muscle and Fitness, I think there was one line about the music. On Chelsea Lately, Fitty didn’t even say a word about the album until the plug right before commercial.

You cannot be lazy in this new music industry economy.

Still Not Treating Their Music Career as a Viable Job (or Business)

At a recent event for musicians, we asked how many had incorporated their band. Zero hands in the air. How many had a business plan on paper? Zero. How many had written down goals? Zero.

If you are not working your music like a business, then there is no hope for you in 2010. If you are not calculating ROI, cost of your merch, sales per visitors both online and off, creating a database of fans (like emails) or setting goals to continue to grow – how do you even know that you aren’t making any money?

Until you start treating this as a real business, your music will only be a hobby. There are no 2 ways around it.

No Focus On Sales

There is something about marketing and sales that scares the shit out of musicians. Asking fans to give us money for a CD? That’s perposterous!

In 2009 it was the same thing. Bands shared their music. They shared on Myspace, Facebook, Twitter, on MP3 blogs, with links to iTunes and anywhere else they could. They never asked for the sale. You can’t make money if you don’t ask for the sale.

This is the first thing we teach inside of Label 2.0 is how to share, market effectively and then ask for the sale. The call to action. There is some fault in the technology themself. Myspace and Facebook still don’t make it really easy to ask for the sale. Up until a few weeks ago it was tough to send your fans directly to your music in iTunes – now that is much easier with their Twitter and FB share buttons.

Bandcamp is probably the top way to go to sell digital stuff and Audiolife is the best way to sell physical stuff. No matter the tool, if you aren’t focused on sales, you won’t suceed in 2010. You need to know your conversions, have a sales process (give them a song for an email, then follow up with an email with a link for the whole album or a package with a CD and a t-shirt, etc) and have a sustainable way to keep bringing new fans into visibility.

Still Spending Dumb Money

Of all the reasons that musicians are not succedding like us marketers want them to, this is certainly the most frustrating. Musicians still have the mindset that music markeitng should be either “free” or an expense once they are making money.

I understand money is tough. I’ve been there in my own band. When we finally got it out of our ego’s that spending some money was going to be big for us, we negotiated our way into a full page ad in our local entertainment monthly magazine, bought a ton of fliers and paid a street team to push them out. The result – a sold out show. Not only that, but the money we generated paid for the ad, the fliers, the street team, the merch hard costs and we still made a profit.

The thing many marketers see is that musicians will spend a small fortune to record and spend their life savings going to Discmakers only to house huge boxes at their parents house and wonder what went wrong.

Many social tools are cheap, some are very free. Some things are worth paying for. Whether that is someone that can do the marketing for you, a team to build a plan with you or spending your money to get in the places where the most highly targeted fans will be listening to your music. If no one hears your masterpiece, was it worth spending the money to record it? Was it worth $1-10,000 to replicate it?

Your gear matters. It doesn’t matter enough if no one is listening. Good songs, great marketing and standout bands still break through.

I remember seeing Fall Out Boy at the Social in Orlando years ago and they sounded like garbage, but you knew they would succeed. Their passion was there. The hustle was there. And the marketing was there. They were selling CD’s. They stayed late to take pictures. They blogged about it. They got their fans excited. And they created an experience.

Spend more time and money on the experience. Spend more time and money to make events. Spend more time and money on HUGE product launches. Spend more time and money creating real relationships (that means paying to go to conferences, even if you aren’t playing).

2010 Can Be Different

2010 can be different if you are different. Relationship marketing works. Great music is still being heard and there are more channels than ever to be heard if you put yourself in a position to be heard. Have a great year and please let me know your thoughts below in the comments.

-Greg Rollett

P.S. The updated 100 Resources for Musicans is coming very soon. Much needed. Unfortunately many of the sites featured are no longer with us and there have also been some great additions.

P.P.S. If you are looking for some direction to kick off 2010, Label 2.0 is a great place to start!

Tags: , ,

Facebook Comments:

Leave A Reply (17 comments So Far)

The comments are closed.


  1. David Horne
    768 days ago

    good observations Greg.

    It is interesting how many artists/musicians don’t see what themselves as a business. There is nothing wrong with compensation. It would seem that it would be a goal since it is a means to open doors to be more creative and grow as an artist. Question. It also seems that a focus on connecting with a local or regional community via live shows has a greater impact on a band’s success than having a cd or record contract. It is that ability to influence and bring fans to your shows that makes you more valuable. Have you seen this to be true?

    I believe the live shows bridge the gap between social media and online channels to make the relationships between and artists and their fans more human. This in turn helps the spread of their brand to new areas ( John goes to a show, loves it sends a message to Emily in another town to go see this band when they are in her town). Your thoughts?

    Thanks


  2. Quiet Entertainer
    768 days ago

    Great post! Very Audible-Hype-ish


  3. MartianLuther
    767 days ago

    Indeed a solid read. Continue to feed the listening. I am raising the bar at http://www.martinluthermccoy.com and 2K10 will indeed be a great year for music.. mine that is. Ciao!


  4. gregrollett
    767 days ago

    @David – Personally I think the live aspect needs to be there. There is no better place to meet new people and create experiences that in person. The energy created and the possibility of new fans and excitement cannot be matched. Plus the money made from live shows is very good if you can fill seats, sell merch and work out deals with club and bar owners.

    The goal then, as you said would be to bridge the gap and bring the experience back online through social channels.

    @MartianLuther – Good luck in raising the bar. I hope that you do have a great 2010!


  5. Damien Cripps
    767 days ago

    Hi Guys
    Just spent a little time going through your content. Really great stuff and from my experience seems very on the money. I dont think you will ever be able to stress to people enough about the commitment they need to enjoy the returns they are dreaming of. I would add this; remember back to your first dreams and passions that got the fire burning inside you to get started with a career in music. Remember how you said you would give anything, maybe even your soul? Well this what Label 2.0 is talking about is that ‘anything’. You will not need to cash in your soul. We are twelve months into our online conversion, as in moving from being a touring and physical selling band to being a world wide available brand. We have found that we now have limitless audiences and reach is without boundaries. We are up and running with WordPress, Reverb Nation, Myspace, Twitter, 2 x Facebook pages, Bandcamp, Itunes and many many more. It took about 6 months to see Blips and Grooveshark hits coming in. The sales are slowly turning over and the fan base grows. We are estimating that this is a three year cultivation. In that in three years from the start we will see a sustainable income and a self propelling growth. We however have learned that if you take your fihnger of the trigger for more than 48 hours the snowball slows to a near halt. It is a huge commitment and you need to be diciplined. But hey remember you said you would do anything?

    Best of successes to all that do the work and gain the listeners, now we gotta go upsell on a free acoustic song we gave away to all our email list on Christmas eve:)

    Happy hunting cats

    Damien Cripps Band – Australia


  6. Scott
    766 days ago

    This is great stuff! The need to take your music seriously is generally given lip service. As an increasing number of tools allow artists to “build their business,” very few make the effort. And yeah, they end up staring at cases of unsold discs. Here at Nimbit, we totally get that. Our tools (and our cd manufacturing…) are easy and affordable. We’re not saying you won’t work hard, but you’ll definitely work smart! Nimbit: The Power of Direct to Fan…

    (Sorry for the shameless plug – I’m a marketing guy … it’s what we do … ;)


  7. patrick faucher
    766 days ago

    I agree 100%. Let’s cut to the chase in 2010. In order for a career to be viable there needs to be a real business around it. A real business is one who has customers (fans), product (the artist & the music) and sales that make it profitable. Any artist who doesn’t see it this way will not succeed, no matter the talent level.

    I spend every day working with musicians to give them the tools to run a successful business directly with their fans. Thankfully, thousands of them are starting to really pull it off.

    Change is happening.

    Patrick Faucher, CEO
    Nimbit.com

  8. Fantastic post Greg,

    As a music producer I couldn’t begin to tell you how many times I’ve heard clients say, “When we finish this ‘hit’ I’m gonna put it up my MySpace and we’re gonna blow up!”.

    Where on earth this mentality sprang from I’m not 100% sure (though I have my theories) but I think there are many an artist out there that would greatly benefit from accepting the truths that this article serves up. – I’ll be sharing this one for sure!

    Cheers,

    Damon Cisneros
    Studio: (562) 7-BODIGM
    YouTube | MySpace | Twitter


  9. gregrollett
    766 days ago

    @Scott and @Patrick – thanks guys for saying something. I have been a fan of Nimbit for a while and included it in the 1st version of the 100 Social Media Resources for Musicians and have it in there again.

    You guys hit it on the head as to where you need to be creating a business – that was the essence of the new music economy video. The days of making millions of your music alone is going to be really, really tough. I hope that musicians do take charge of their own career and get it together – because there is some awesome music out there that needs to be heard!


  10. gregrollett
    766 days ago

    @Damien – great point on the “i’ll do anything to make it” quote.

    You hear bands, artists, athletes – well all kinds of people say things like that, and many are really not willing to do anything to get where they want to be. 2010 will be a defining year for this indeed. Thanks for chiming in.


  11. refe
    766 days ago

    Hey Greg – great post and thanks for the link. Your piece provides an important parallel to the optimism of my post at Creative Deconstruction. 2010 has so much potential for artists who have the drive to execute, but without that drive…


  12. Matthew Wettergreen
    761 days ago

    Greg,

    Very inspirational words. In my personal experience, laziness seems to be the first and last factor for musicians hindering themselves and their careers. Musicians acknowledge the importance of understanding and using the online tools that we teach them, but fail to generate the will power to apply them. Extrinsic motivators such as financial success and exposure can work in the short term but ultimately the motivation must be intrinsic to carry the artists through the times when the extrinsic motivators run empty.

    I would love to hear your thoughts on how to overcome this laziness, and be sustainably motivated.

    Thanks for an insightful post,
    Matthew


  13. Tim Tamashiro
    758 days ago

    Greg,

    You nailed it. Thanks for putting it into such concise terms.

    Artists: take heed.

Get Your Hookup On

Join 5,000+ Musicians Like You Who Have Entered The New Music Economy

GYRS Courses And Products

New Music Economy

BandWPThemes

NME Blueprint

GYRS Sponsors

AGL Brand Clothing